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WONDER WOMAN #20
Date: Sep 1988
Cover Price: $0.75
Publisher: dccomics.com
Description
DC Comics > Wonder Woman > Wonder Woman (1987) >
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Credits
"Who Killed Myndi Mayer?" (22 pages)
writer:
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George Perez
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art:
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George Perez
Bob McLeod
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colors:
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letters:
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N/A
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editor:
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N/A
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xx
posted Jan 20, 2019, 2:02 PM by Vu Sleeper
From 13thdimension.com/
WONDER WOMAN #20 (Sep 1988)
DC Comics
Excerpt:
Jerry Ordway (Artist; inker on Crisis on Infinite Earths)
Wonder Woman #20. I will say George has done more complex and
action-oriented covers that are terrific, but this is the cover I
thought of when asked to choose one. I recall very vividly when this
issue came out, how striking it was compared against the other comics
out that same month. I also loved this storyline in the comic, so I had
some emotional investment in the character.
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Why the 1980s Were Wonder Woman's Greatest Era posted Jul 13, 2017, 8:21 AM by Vu Nguyen
From nerdist.com
WONDER WOMAN #20 (Sep 1988)
DC Comics
Recently it has been rumored that the sequel to this summer’s smash hit Wonder Woman from director Patty Jenkins
will not take place in the present day, but would be a “Cold War era
adventure” set during the 1980s. So why is this a good idea, aside from
the glorious hair, wardrobe and soundtrack choices this shift in time
periods could provide us? Well, you might not realize it, but the ’80s
was an absolutely glorious decade for our Amazing Amazon.
In fact, the modern version of Wonder Woman, which has been reflected
not only in Gal Gadot’s performance but also in other recent
incarnations like the Justice League Unlimited animated series, owes almost everything to the 1986 Wonder Woman
reboot by George Perez. If the 1940s was Wonder Woman’s “Golden Age”,
then the ’80s were definitely the second golden age for Diana.
(excerpt)
But they weren’t the only ones. Wonder Woman also had a publicist, a
go-getter “business woman of the ’80s” named Myndi Mayer, who was
ruthless when it came to getting Wonder Woman’s name out to the public
and making her a household word, but underneath it all, had her heart in
the right place. She helped Diana form the Wonder Woman Foundation, an
organization whose goal it was to help women, especially those in
domestic violence situations. Myndi was 100% different from the
altruistic Amazons Diana grew up with, but she formed a real bond with
her all the same. Eventually, we were introduced to the character of
Myndi’s younger gay brother Kevin, who was outcast from his family
except by his sister. It was one of the first times homophobia had ever
been directly addressed in a mainstream superhero comic.
[ Read more on nerdist.com ]
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Wonder Woman digital comics on sale (sale ends 6/27/11)
posted Jun 25, 2011 4:55 AM by vu sleeper
From Vu
WONDER WOMAN #20 (Sep 1988)
DC Comics
DC Comics is having a sale on its Wonder Woman digital comics at ComiXology.
As you can see from the images below, WONDER WOMAN #2-24 are finally
available in digital. I don't need to tell you that even at a 99 cents
sale, the price is still well above the original 75 cents cover price.
To its credit, there are no advertisements in the digital version.
I'm
also very unhappy at ComiXology iPad application, which crashes all the
time (especially on first launch). It's annoying, real comics don't
crash when you open its pages.
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From www.comicbookbin.com

WONDER WOMAN #20 (Sep 1988)
DC Comics |
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BOB MCLEOD RETURNS
Aug 6, 2005, 06:40
By Leroy Douresseaux
(excerpt)
After New Mutants, Star Wars, and Spider-Man, I lose track of what you did for the rest of the 1980's. What were you doing?
BOB: I inked 6 issues of JEMM, SON OF SATURN over Gene Colan, for DC
after Klaus Janson bailed out of the series. I pencilled and inked a
fill-in on POWER PACK for my friend June Brigman, inked a couple issues
of SPITFIRE (one over [Herb] Trimpe, one over McFarlane), and inked a
lot of GI JOE covers. I then inked several issues of WONDER WOMAN over
[George] Perez breakdowns, then inked several issues of the NEW TITANS
over Perez breakdowns, inked a NEW MUTANTS ANNUAL over Brigman
breakdowns, inked New Mutants #75 over [John] Byrne breakdowns, and
then inked that horrible 12-issue SUB-MARINER series over [Rick]
Buckler, which almost stalled my career again. That's when I decided to
move back up north to rejuvenate my career, and being back in NYC made
a big difference in the assignments I got. I started inking the HULK
over Dale Keown, then quit that when I got an offer to pencil SUPERMAN.
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