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ASTONISHING TALES #25 (Aug 1974) Marvel Comics

cover:  Rich Buckler
Klaus Janson 
ASTONISHING TALES #25
Date: Aug 1974
Cover Price: $0.25
Publisher: marvel.com

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    • The Wonder Woman 100 Project coming out June 28, 2017 From heroinitiative.org, thanks to Ilke WONDER WOMAN 100 PROJECT (28 Jun 2017) Hero Initiative Hero Initiative, the charity that helps comic book creators in medical and financial need, is ...
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    Credits
    "A Cold Knight's Frenzy" (15 pages)/Untitled (2 pgs)
    writer:  Rich Buckler
    Doug Moench
    D.M. DeMatteis
    art:  Rich Buckler
    George Perez
    Mike Esposito
    colors:  G Wein
    letters:  A Kaecki
    editor:  Roy Thomas
    Information from vu   
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    posted Feb 8, 2014, 7:29 PM by Vu Nguyen


    ASTONISHING TALES #25 (Aug 1974)
    Marvel Comics
    In the latest episode of AGENT OF S.H.I.E.L.D., #13 entitled "T.R.A.C.K.S." which aired February 4, 2014, we see Mike Peterson, a with a facial scar on half of his face and a cybernetic prosthetic leg.  We find out later that his leg bears the name "Project Deathlok".


    Deathlok to appear on Marvel's Agents of S.H.I.E.L.D.
    posted Jan 24, 2014, 3:06 PM by Vu Nguyen


    ASTONISHING TALES #25 (Aug 1974)
    Marvel Comics
    Deathlok Sets His Sights on Marvel's Agents of S.H.I.E.L.D.
    Marc Strom, Published Jan 23, 2014 Jan 23, 2014


    Actor J. August Richards' recurring character, Mike Peterson, to transform into the fan-favorite Marvel character!

    Deathlok has come to "Marvel's Agents of S.H.I.E.L.D."

    A classic Marvel Comics icon who is celebrating his 40th anniversary this year, Deathlok will be brought to live-action life for first time ever on the all-new episode of "Marvel's Agents of S.H.I.E.L.D." premiering Tuesday, February 4 at 8:00 p.m. ET on ABC.

    Transformed into the cybernetic solider against his will, Mike Peterson (J. August Richards) must struggle to find the man in the machine. With a high-tech eye that allows him to see through walls, super strength and increased speed courtesy of a cybernetic leg, will Deathlok fight alongside the Agents of S.H.I.E.L.D. or against them?

    "We have been waiting all season for this moment where we can reveal that Mike Peterson's story arc is an origin story," said Executive Producer Jeffrey Bell. "We're thrilled to have J. August Richards playing Deathlok and to have our audience enjoy this favorite Marvel character on the show."

    "If you would have asked when I was nine-years old what I wanted to be, I would have said a super hero and I'm so excited to be one now as an adult on TV!" added J. August Richards. "It's a dream come true."


    Fluit Notes: The Many Paths of George Perez, Part One
    posted Jul 24, 2009 7:59 AM by vu sleeper

    From winterfell.blogs.com/fluitnotes


    GIANT-SIZE FANTASTIC FOUR #3 (Nov 1974)

    ASTONISHING TALES #25 (Aug 1974)
    Marvel Comics

    The Many Paths of George Perez, Part One
    July 24, 2009 by Chris Fluit

    101561-45495-george-perez_large I. The Early Years (1974-75)

    George Perez broke into the comic book industry in the summer of 1974 (which also happens to be the season and the year I was born) but his story begins a little bit before that. Perez had graduated from high school and was working as a bank teller in 1972 and ’73 when a high school friend brought him to a comic book convention. Perez describes himself as a self-taught artist, but he brought his portfolio along with him anyway. He showed it to several editors and companies and received some fairly harsh criticism. Marv Wolfman, then an editor a Marvel, said that he didn’t know anatomy or perspective. Neal Adams, the head of Continuity Studios, told him to quit inking his own work because he obviously didn’t know how. (1)

    Perez went home with the expressed purpose of proving his critics wrong. He could draw anatomy. He did know how to ink. But by trying to prove them wrong, he ended up proving them right. His anatomy, perspective, inking, everything improved as he worked harder on his craft.

    Meanwhile, at least one other person showed some faith in him. Marvel artist Rich Buckler had also seen George Perez’s portfolio and remembered the young artist. When he needed help on a project, he gave Perez a call. George Perez completed two pages of a Deathlok story for Astonishing Tales #25, which was published with a cover date of August, 1974. Buckler was happy with how that project turned out and continued to throw small jobs Perez’s way. Perez even worked as an uncredited assistant for Buckler on Giant-Size Fantastic Four #3, which was published in November of that same year. Perez describes that Fantastic Four story as his big break into the industry. (2)

    Even though he didn’t receive a credit for the Fantastic Four story, Perez did garner the notice of the editors at Marvel Comics. He was soon receiving work on his own merit. Superheroes were in a bit of a slump at the time, and other genres like monster stories and kung fu were on the rise. Perez got to do a bit of both. He was assigned “The Sons of the Tiger” back-up feature in “Deadly Hands of Kung-Fu” beginning in issue 6 (November, 1974) and then the Man-Wolf series in “Creatures on the Loose” (starting with #33, January 1975). Since one story was a back-up feature and the other title was bi-monthly, Perez was able to work on both series at the same time.

    [ Read more The Many Paths of George Perez, Part One ]



     December 7, 2003 | Wizard World Texas Program Book
    From Vu, special thanks to Mark Metz (email)

    WIZARD WORLD TEXAS CONVENTION PROGRAM 2003 (Nov 2003)

    ASTONISHING TALES #25 (Aug 1974)
    Marvel Comics

    FANTASTIC FOUR #164 (Nov 1975)
    THE DEADLY HANDS OF KUNG FU #6 (Nov 1974) JUSTICE LEAGUE OF AMERICA #184 (Nov 1980) NEW TEEN TITANS #1 (Nov 1980)
    CRISIS ON INFINITE EARTHS #1 (of 12) (Apr 1985) INCREDIBLE HULK: FUTURE IMPERFECT #1 (of 2) (1992) AVENGERS vol 3, #1 (Feb 1998)
    There is a two-page article and checklist on Wizard World's Texas Convention Program Book (2003).

    >>>
    GUEST OF HONOR 2003: GEORGE PEREZ
    published in WIZARD WORLD TEXAS CONVENTION PROGRAM 2003 (CA)
    transcribed by Vu

    If any comic artist working today deserves the title of "living legend," that artist is George Pérez. How man citizens in the kingdom of comic creators have worked steadily over the last 30 years, growing more popular with each passing?

    THE 1970s After an understated debut on Marvel Comics's Astonishing Tales #25 way back in 1973 - the first appearance of Deathlok, by the way - Pérez found he could write his own ticket, quickly jumping on titles like Avengers, Fantastic Four, Deadly Hands of Kung-Fu and Justice League of America.

    THE 1980S The defining decade of Pérez's career, not only did the '80s see the debut of the hugely popular New Teen Titans - co-created with writer Marv Wolfman - and enduring villains like Deathstroke the Terminator and Brother Blood, it saw Pérez take on half the task of rewriting the reality of the DC Comics universe, Crisis on Infinite Earths simplified the chaos of DC continuity, killing off Supergirl and the Flash and making way for their modern successors. From Crisis, Pérez went straight to reworking the story of Wonder Woman, lending his writing skill as well as his art to the new, more mythology-centered character if there was one dark spot on the Pérez decade, it was the lost dream of the JLA/Avengers crossover…

    THE 1990s A vision of the last days of the green goliath in Hulk: Future Imperfect with writer Peter David could stand alone as an artist's project of the decade. But Pérez, with sleek, bright art and an overwhelming need to draw every Avengers that has ever been, went on to relaunch the Avengers with Kurt (Marvels) Busiek as the '90s neared their close. More than 20 years after his start, Pérez transitioned easily into the new millennium and found a whole new generation of comic fans waiting for him.

    TODAY As he near the half-century mark, George Pérez shows no signs of going gracefully into that good night (or whatever old comic artists go). With new, fantasty-themed art for such CrossGen books as CrossGen Chronicles and Solus, he's breaking new territory - even for him. And with the blockbuster success of JLA/Avengers, he's finally realized a dream nearly 20 years in the making.


    ESSENTIAL PEREZ READING

    (excerpt)

    In nearly 30 years in comics - THIRTY!- George Pérez has probably drawn every character you've ever heard of and a lot you haven't. And written a few too. While it's impossible to show 'em all, here are some of the highlights you might want to pick up from dealers at the show. Thanks to GeorgePerez.com for the checklist; you can find a complete list of George's work there.

     February 1, 2003 | Heritage Auction (Feb 03)
    From Vu
    Heritage Comics is having their auction this weekend. Among some of the Pérez-related auction are his first published professional comic book art in ASTONISHING TALES #25 (Aug 74). The other interesting item is the 30 cent variant to INHUMANS #4:

  • INHUMANS #4 (variant)
  • The Inhumans #4 35 Cent Price Variant (Marvel, 1976) CGC NM 9.4 White pages.
    While the vast majority of the copies of this issue sport a 25 cent cover price, this is one of the scarce variants that was used to test whether the public was ready to accept a 5 cent price increase. These 30 cent editions were only distributed in a few cities and high-grade copies are exceptionally difficult to locate. Try to find another! Overstreet values on these issues are extremely conservative compared to what these copies actually sell for. George Perez art.

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