DEADLY HANDS OF KUNG FU #6 (Nov 1974) Curtis

cover:  Earl Norem
DEADLY HANDS OF KUNG FU #6
Date: Nov 1974
Cover Price: $0.75
Publisher: Curtis/Magazine Management Co.

Description

  •  Marvel Comics‎ > ‎Deadly Hands of Kung Fu‎ > ‎

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    Credits
    "The Way of the Jackal!" (13 pages)/"Lesson of the Locust!" (16 pages)
    writer:  Jim Dennis
    Doug Moench
    art:  George Perez
    Frank Springer
    Mike Vosburg
    Bob McLeod
    colors:  N/A
    letters:  N/A
    editor:  N/A
    Related

    DEADLY HANDS OF KUNG-FU #6 (Nov 1974)
    Curtis

    DEADLY HANDS OF KUNG FU #6 (Digital) (06 Feb 2018)
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    RELATOS SALVAJES ARTES MARCIALES #9 (Spain) (1976)
    Mundi-Comics
    xxx



    News: Perez is #3 in CBR's All Time Favorite Artist

    Thu, 19 Oct 2006 18:52:47 CST [ submitted by Vu ]
     From www.comicbookresources.com
    CBR'S #3 ALL TIME FAVORITE ARTISTS & WRITER
    by Brian Cronin, Contributing Writer
    Posted: October 18, 2006

    (excerpt)

    #3 ARTIST: George Perez - 399 points (10)


    DEADLY HANDS OF KUNG-FU #6 (Nov 1974)
    Curtis
    George Perez first broke into comics in the early '70s, drawing backups for Marvel's magazine line. Soon, Perez was gaining enough attention that he was given one of Marvel's bigger titles, "The Avengers." Perez was a hit on the book, and for most of the '70s, Perez kept busy on a number of assignments for Marvel, including a run on "Fantastic Four" with Marv Wolfman.

    Towards the beginning of the '80s, Perez was already doing work for DC Comics, drawing "Justice League of America." When his old "Fantastic Four" partner, Wolfman, made the move to DC, Perez and Wolfman got together to launch the "New Teen Titans."

    The book was a smash hit, both critically and commercially, and Perez and Wolfman were instant comic book stars.

    "Titans" was the perfect mixture of Perez' strengths - clean, but still dynamic and just a little ornate. In addition, Perez had soon gained a reputation as being one of the best artists out there for drawing large groups of heroes (note the team books he worked on - "Avengers," "Justice League," "Titans" - he loved the group shots).

    On "Titans," Perez honed his skills, becoming more and more detailed.

    His ability to draw large groups was put to the test when, in 1985, he joined Wolfman on "Crisis on Infinite Earths," the massive DC crossover that changed the DC Universe forever and remains a favorite amongst comic readers. It also gave Perez the chance to draw lots and lots and lots of characters. 

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