Credits
"Future Imperfect" (48 pages)
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writer:
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Peter David
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art:
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George Perez
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colors:
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Tom Smith
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letters:
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N/A
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editor:
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N/A
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posted Sep 22, 2020, 10:52 PM by Vu Sleeper
From previewsworld.com, thanks to Ilke
INCREDIBLE HULK: FUTURE IMPERFECT #1 (of 2)
(1992)
Marvel Comics
Excerpt: I told George [Perez] what I needed and he built on it. For
instance, when I did the two page establishing shot of Rick's trophy
room, I said, "It includes the following objects: Cap's shield, Thor's
hammer, Wolverine's skeleton, and the Silver Surfer's board. Other than
that, put in whatever you want." And George just went to town. It
included everything from the cloak of levitation still floating to
Archie Andrews' Riverdale sweater. That's the great thing working with
George. Tell him what you want and he'll go above and beyond.
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The 7 most incredible comics George Perez drew for DC and Marvel
posted Jan 21, 2019, 1:04 PM by Vu Nguyen
INCREDIBLE HULK: FUTURE IMPERFECT #1 (of 2)
(1992)
Marvel Comics
After more than four decades in the comic book business, George Perez, announced his retirement over the weekend. Over the course of his career as one of the industry's most accomplished artists, Perez worked for both DC and Marvel, helping to create some of the most popular maxi-events for both companies including Infinity Gauntlet with Jim Starlin and Crisis on Infinite Earths with Marv Wolfman.
A consummate professional according to his peers, Perez provided art
and inks for dozens of creators, setting the mood, providing clean lines
and always moving the story forward. Perez may be known best for his
attention to detail and love for massive group shots. Just look at the
cover to Crisis on Infinite Earths #1 or Who's Who and you can get a sense of the scale Perez worked in. Flip to any page of Tales of the New Teen Titans or Avengers
he worked on and you see that, even down to the backgrounds, Perez took
great care in providing as much detail as possible, engrossing and
inviting readers into new worlds.
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12 July 2008, 7:36PM CDT by vu (vu sleeper)
From www.newsarama.com
The Hulk's Top Ten Battles
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#3 Hulk vs. Hulk, er, Maestro (Hulk: Future Imperfect #1 and 2):
When
the Hulk met Maestro, the smashing was very great. You see, Maestro is
the Hulk of a future where he's gone bad and lain waste to all of the
other super-powered beings and installed himself as ruler. Though they
would later come into conflict in a plot that involved the Destroyer,
the first throw-down is the best of most significant (thanks in no
small part to the creative team of Peter David and George Perez).
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| February 9, 2004 | Lovitz's Comicart-L Gallery |
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From Vu
Check out Michael Lovitz's amazing Perez cover art collection. This is just a small sample, more info on www.comicart-l.org.
INCREDIBLE HULK: FUTURE IMPERFECT #1 (of 2)
(1992)
Marvel Comics
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| May 30, 2003 | Wizard's Top 30 Hulk |
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From WIZARD #142 (Jul 03)
HULK SMASHES
INCREDIBLE HULK: FUTURE IMPERFECT TP (1992)
Marvel Comics |
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Wizard picks its gamma-irradiated brain to bring you the 30 Hulk comics
every fan must own!
(excerpt)
TOP 5 ESSENTIAL HULK STORIES
written by Todd Casey
3. FUTURE IMPERFECT #1-#2
(1993)
Hulk is the strongest one there is? Tell that to the Maestro. A tyrannical
future version of the Green Goliath, Maestro took over the world after a nuclear
war left Earth's mightiest heroes dead and civilization in shambles. an aging
Rick Jones brings a young, untainted Hulk from the past to battle his more
powerful future incarnation for the fate of the world... and his own soul.
$10
each
HULK'S
5 MOST BIZARRE MOMENTS
written by Jake Rossen
1.
BATMAN VS THE INCREDIBLE HULK (DC Special Series #27) (1981)
Hulk smash puny human, etc, etc.... we know the drill. But in this case,
Batman actually lays out the Hulk! The Joker convinces Green Genes that
Batman is their common enemy, sending the Hulk on a destructive rampage. The
Dark Knight laughably tries to use pressure points strikes to bring the monster
down, which only leads to him getting squeezed like a roll of Charmin by
the big, green brute. Then Bats gets smart. With the room filling with
gas, the Caped Crusader lands a well-placed kick that forces Hulk to suck in
air, knocking the beast unconscious. Wayne, you are one crafty (and lucky)
mutha. $30
| April 8, 2003 | Hulk: FI, Re-Colored |
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From Avengers Comicboard
George Perez's Hulk "Future Imperfect" 10 yrs later re-colored !
Posted by Tom smith on Sunday, April 06 2003 at 17:55:16 GMT
Hi guys..
In honor of the 10 year anniversary of
what I always consider the greatest Hulk story ever told and my first
project coloring my good pal George's work. I have now re-colored "now
with the computer with all the bells and whistles" my favorite page of
the series.
Would this be cool if Marvel would let me re-color the whole mini series this way?
I can dream about it , although it will never happen.
Best..
Tom Smith " Hulk FI CAL!"
| February 23, 2003 | Peter David Interview at SBC |
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From Silver Bullet Comics
WHAT THE--?
Speaking With... Peter David
Sunday, February 23
By Marv Wolfman
(excerpt)
INCREDIBLE HULK: FUTURE IMPERFECT TP (1992)
Marvel Comics |
MW: What do you consider your most successful works, and why?
PD: Comics? Well, artistically successful, I’d put The Atlantis Chronicles up there. And Future Imperfect with George Perez, and The Last Titan with Dale Keown, which was the last Hulk story. Supergirl 1-50,
I was very pleased with artistically. I really wanted to reach with
that series, to do something probing theology and faith and religion
and the power of purity of the heart. Unfortunately too many readers
just shrugged it off, but the people who really opened themselves up to
it seemed to “get” it and embrace it. Financially? Beyond question, Spider-Man 2099 #1. The only book I’ve written to sell over a million copies.
...
MW: When you are in charge and other
writers write your characters (novelizations, tv shows, comics), what
are you looking for as the editor as well as the creator?
PD: I had to do that a good deal when Bill Mumy and I were doing Space Cases
for Nickelodeon. In that case, you find yourself doing something that’s
equally creative and damage control. You have to deal with writers who
are trying to grasp not only character nuances, but the realities of
the world you’ve created. So in that case, when a writer submitted a
script that had our ship, the Christa, shooting at someone, we had to
completely rework the story because the ship is established as not
having weapons.
MW: How do you define your relationship up front with your editor / story-editor / producer / the writers who work under you?
PD: That it’s my job to make them, and the show, look as good as possible. During Space Cases there were scripts that required my doing such massive rewrites that technically I could have put my name on them. I never did.
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HULK: FUTURO IMPERFEITO (Brazil) (Jan 2014)
BLACK WIDOW (2021)
